Currently on until November 3, I spent an entire afternoon over the weekend at a screening of a series of short animated documentaries.
I love comics and comic books (I learned today that sales of ‘graphic novels’ (I dislike the contrived term) have increased by 1000% over the last decade). Animation offers me something similar, as a transformative medium whose creative power and ability to engage its audience has the capacity to uniquely blend the imaginary and the actual to create, perhaps somewhat paradoxically and surprisingly, a heightened reality of sorts.

Thus it was for the short documentaries that I just experienced.

There were 12 films in all, of varying lengths, themes and formats. I had previously seen some of Tony Donoghue’s work on ‘Irish Folk Furniture’, which has at its theme an Ireland of the past, as represented by neglected and disused traditional furniture, which is restored to a new, but no less grand, splendour. A wonderfully succinct, considered, and funny piece.

The remaining 11 films were new to me. Topics included the harrowing difficulties facing families following recent immigration changes in the UK (‘Visa’), and the experiences of children such as Ali,who fled Afghanistan but his parents were left behind (‘Drawing for Memory’), and Rachel, whose family managed to escape her country of origin only to be subjected to detention centres in the UK and a forced return to her homeland (‘From A to B and Back Again’). These are truly sad stories, but they are also stories that can be shared, most particularly through the medium of animation, as the participants, who so want their experiences to be heard, can retain their anonymity throughout and thus feel ‘safe’ to speak.

There was also a fascinating piece on sleep paralyis (‘Devil in the Room’), and a very considered film on loss, based on the real experiences of five people who shared their feelings on losing something precious and how it had informed them about living (‘Good Grief’).

I was particularly moved by ‘SPD and Me’. In this work, the director Matthew Brookes, who suffers from Semantic Pragmatic Disorder, which is part of the autism spectrum and mainly affects comprehension and reading, shares his experience of coping with his condition. At the end of 4 minutes, you do get it, and you at least partly understand what SPD is and how it has challenged him. Four minutes in any other medium is very unlikely to achieve something similar…

CQ

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