Archives for posts with tag: Moving Home

“Life is curious when it is reduced to its essentials”

Good Morning, Midnight – Jean Rhys

When leaving London, I made it my mission to pack my up-to-then life into two suitcases. It proved to be quite a feat. I had lived there for more than 25 years, and although I am not really a collector of “stuff”, I had a home and therefore furniture, clothes, and very many books.

The task was achievable, and also extremely stressful. Most of the “stuff” was donated to charity. I sold a few things, including my piano.

And I did get on the plane with just two suitcases.

I do think of some of the things I left behind (and hopefully now enjoyed by someone else) – almost exclusively books. I had an eclectic collection and I suspect that I will replace at least some of them in due course. I left behind a box of prized works for my daughter. I think she will be glad of them in due course, and I hope that she will experience a similar amount of joy within those pages.

I miss my piano, daily. I have a cello here that I love playing. But I yearn for the sublime ecstasy (and solitude) that playing Satie and Mompou, in particular, gave me.

I have been reading Elisa Gabbert’s The Word Pretty – a gem. In the piece titled Writing That Sounds like Writing, she talks about overwriting and excesses in art. As she has gotten older, Gabbert has come to appreciate subtleties in, for example, poetry. Yet she worries that

…this is like rich people getting rid of all their stuff, the intellectual equivalent of mistaking asceticism for refinement. The Marie Kondo craze is basically the opposite of horror vacui–fear of empty space versus fear of bounty. Minimalism versus maximalism, simplicity versus complexity.

This has made me question my own actions. True, circumstance (I didn’t want to put anything into storage) was a main motivating factor. I also felt a desire to shake off the old and begin again, in a more minimalist and self-defined way–the totality of such a decluttering allowing for a simpler life, and a new way of seeing and being.

I am also aware that I am fortunate enough to, for example, replace some of the books I left behind, if I so desire.

Jean Rhys states that life is more curious when limited to the essentials. Of course, what the essentials might be is entirely subjective, and again inextricably linked to what can be afforded. Having less “stuff” – and I mean in relative terms compared to my previous existence–probably does make life more curious for me, but more than that it makes it lighter, less weighed down, less burdensome.

Perhaps, along with the casting aside of the material, I also discarded those emotional aspects that no longer served a purpose in my life.

 

CQ

It never ceases to reassure and to uplift me that, no matter what I am feeling or thinking, there is a poem and a poet out there who can put words and closure to my circular thoughts.

I hope to move home shortly. My daughter and I have not been here long, around six years, although they have been very important ones in terms of her growningupness and my role as a mostly peripheral witness and occasional invited guest to this most transformative and wondrous of ‘sociological processes’…

Now, it is time to move on, and we are both keen to find a different space. Yet leaving and moving are complex events and emotions are inevitably mixed, with hope sitting alongside sadness, and optimism tinged with fear and with a sense of loss.

The Irish poet Brendan Kennelly movingly considers the tensions that exist between memories and the places they inhabit, as well as the essence of memories, personal relationships, and the transient and finite nature of it all, or not…

 

We Are Living

 

What is this room

But the moments we have lived in it?

When all due has been paid

To gods of wood and stone

And recognition has been made

Of those who’ll breathe here when we are gone

Does it not take its worth from us

Who made it because we were here?

 

Your words are the only furniture I can remember

Your body the book that told me most.

If this room has a ghost

It will be your laughter in the frank dark

Revealing the world as a room

Loved only for those moments when

We touched the purely human.

 

I could give water now to thirsty plants,

Dig up the floorboards, the foundation,

Study the worm’s confidence,

Challenge his omnipotence

Because my blind eyes have seen through walls

That make safe prisons of the days.

 

We are living

In ceiling, floor and windows,

We are given to where we have been.

This white door will always open

On what our hands have touched,

Our eyes have seen.

 

Brendan Kennelly